être spirituel - definizione. Che cos'è être spirituel
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Cosa (chi) è être spirituel - definizione

Concert spirituel; Concerts Spirituels
  • Poster advertising the ''Concert Spirituel'' to be held on 15 August 1754}}
  • Joseph Le Gros<br />«''Directeur du Concert Spirituel''»<br />Drawing by [[Charles-Nicolas Cochin]]}}

Être Dieu         
OPERA
Etre Dieu
Être Dieu: opéra-poème, audiovisuel et cathare en six parties (French for "Being God: a Cathar Audiovisual Opera-Poem in Six Parts") is a self-proclaimed "opera-poem" written by Spanish surrealist painter Salvador Dalí, based on a libretto by Manuel Vázquez Montalbán with music by French avant-garde musician Igor Wakhévitch. It was originally published in 1985.
In Your Mind (song)         
2005 SINGLE BY ANGGUN
Être Une Femme; Être une Femme; Juste être une femme; Etre une femme; Être une femme
"Être une femme" (English: "Being a Woman") is the first single from the third French album, Luminescence by Anggun. This single was released in late 2004, earlier than the album which was released in 2005.
raison d'etre         
WIKIMEDIA DISAMBIGUATION PAGE
Raison d'etre; Raison detre; Reason de etra; Raison D'être; Raison d'Être; Raison d etre; Raison de etre; Raison d’être; Raison d'Etre; Raison D'etre; Raison d'étre; Raison D'Être; Raisons d’être; Raison d'être (disambiguation); Reason for existing; Raison d’etre; Raison d’ etre; Raison d' etre; Raison d' être; Raison d’ être
also raison d'etre
A person's or organization's raison d'etre is the most important reason for them existing in the way that they do.
...a debate about the raison d'etre of the armed forces.
N-SING: usu with poss

Wikipedia

Concert Spirituel

The Concert Spirituel (English: Spiritual Concert) was one of the first public concert series in existence. The concerts began in Paris in 1725 and ended in 1790. Later, concerts or series of concerts with the same name occurred in multiple places including Paris, Vienna, London and more. The series was founded to provide entertainment during the Easter fortnight and on religious holidays when the other spectacles (the Paris Opera, Comédie-Française, and Comédie-Italienne) were closed. The programs featured a mixture of sacred choral works and virtuosic instrumental pieces, and for many years took place in a magnificently-decorated Salle des Cent Suisses (Hall of the Hundred Swiss Guards) in the Tuileries Palace. They started at six o’clock in the evening and were primarily attended by well-to-do bourgeois, the lower aristocracy, and foreign visitors. In 1784 the concerts were moved to the stage area of the Salle des Machines (an enormous former opera house in the Tuileries), and in 1790, when the royal family was confined in the Tuileries, they took place in a Paris theater.